前賢詩作集(2)

紅茶 羅南溪 (羅享彩)

雀舌生香秀色添 味清上乘吐紅炎
一杯端賴纖纖手 橫渡歐西壯國瞻


試茗 羅南溪

烏龍氣味品猷高 花下風爐手自操
靈草妙能清俗慮 同君細嚼滌心勞

------------------------------------------------
These two Hakka poems are shared by Mr. CS Lou. Both of them were written by his father about tea...so beautiful yet so proud...I can clearly feel it. On the second one, I just wonder what type of Oolong he was tasting back on those days... How lucky that we can enjoy reading these poems after so many years!

前賢詩作集(1)

關西陶社及新埔大新吟社 主辦

竹、苗聯吟詩會 (09/30/1956)

現場擊缽題目：紅茶 七言絕句 鹽韻

1.謝勝長作

盈筐手揉玉纖纖 精釀紅粧雀舌尖

一盞相如來解渴 也該撚斷數莖髯

2.沈梅岩作

胭脂色彩蔗同甜 端賴双鬟玉手纖

大好一杯香透骨 盧同風味絳霞添

3.吳濁流作

錫蘭島品休誇世 名產關西色味兼

絳似葡萄香似桂 渴時半碗可消炎

4.黃朱興作

關西佳茗誇名產 譽冠環球第一占

色有丹朱如熱血 源源外匯益頻添

5.劉南雄作

玉手纖纖摘翠巒 精工巧製味紅甜

盧同七碗真嫌少 國計民生盡仰瞻

6.劉曉初作

清香美味比糖甜 陸羽經傳渴止炎

不醉盧同紅露酒 關西名產萬人瞻

提供人：徐玉鏡（關西鎮陶社詩友）2011.02.24

============================

打早開信箱
歡喜阿哥送來寶
家鄉茶事再焙香

This is truly a surprise! I recieved these poems from Mr. Hsu this morning. Can't wait to post them up...maybe we can add a new Corner for the collection of the treasure. Encourage our Hakka friends to dig out the gold mines from their parents, grand parents and grand grand parents...

Thomas 2/25/2011

The above short essay from the November issue of the monthly magazine published by Tenkyu Haiku Association of Tokyo. (Supplied by Mr. CS Lou 11/9/2010)

客家雜誌談客家話三行詩

這擺个客家雜誌, 有登客家話三行詩个報導, 看樣哩 , 大家搞正經起來, 大家無較打拼兜, 會交代毋下. 希望客家雜誌个報導出來以後, 會有較熱烈个回響. 無論仰般, 想法尋兜 core members 來掭手, 定期交出作品. 大家來鬥鬧熱, 把客家話三行詩个 get-move-campaign 搞起來 , 把客家語言, 從 dying language 个情況下, 救起來. 我相信 ,客家話三行詩个寫作 , 有一日變成全民運動个時候 , 大家對客家話个使用, 一定會更加有信心. 大家無寫來看,毋知客家話个問題佇奈位, 大家了解問題, 把握問題, 解決問題就有可能.

大家來加油打拚!

Best regards to you all.

CS Lou 5/11/2010

ECFA 專輯

sent in by CS Lou:

麼个ECFA
一中無台冇較贏
一中一台正有影
============
麼个ECFA
仰般內容驚人知
莫簽較贏莫涝潰
============
何必ECFA
木馬屠城謀台灣
利誘台灣變西藏
============
公投ECFA
提防政治土石流
最驚主權流淨淨
============
簽了ECFA
中國人緊來緊多
將來定著搶飯碗
============
雙英辯麼个
要辯就辯 UN WHO
辯ECFA乜要辯FTA (*乜 pronounce ME)
===============
小英勸阿九
ECFA傾中鎖國冇效
WTO个FTA正有生趣
=============
辯麼个ECFA
花花假假个總統
麼个無知盡採講
=============
小英真有 GUTS
宣佈冇公投个ECFA
政黨輪替就失效
================

sent in by Chanchi Lee:

馬 介 ECFA
滿 面 老 實 毒 蛇 心
賣 台 害 人 夭 壽 仔
==============
阿里不答 ECFA
騙,坳,癩 皮,失 人 心
麻 木 不 仁 真 亂 來
==============
歐 巴 ECFA
賣 台 把 戲 真 厲 害
目 珠 金 金 來 反 抗
==================

sent by Dennis Chen:

麽个愛擱發
騙人騙到兜兜(？)轉
暗賣主權驚人知
=============
馬娘介下場
豬面獸心高毛子
絕子絕孫下地獄
=============
馬鹿の野郎 (馬鹿野郎）
馬統（桶）治台混家拉(家家酒）
中國騎馬踢屎vut（屁股）
========================
中國台灣省
賣身賣到中國去
悲慘歷史到那（nai) 時
=================
重點是主權
國仔莫 （沒）忒tet（沒有了）又失業
大家來做清國奴（支那人）
==========================

sent in by Albert Chu:

mang(還沒）簽就an（非常）慘
簽了以後樣gak-sat(怎麼辦）
台灣就等死。
=========================

sent in by James Leu:

ECFA 是麥介蛸

辯後還是霧煞煞
想想慢慢來介好
============

ECFA麥介屁卵
蔡主席為民辯護
馬英九講無清楚

============
ECFA是麥介鬼
辯後照樣沒清楚
百姓就驚沒頭路
============
雙英大辯論
輸贏沒麥介要緊
問題對百姓有利
=========================

sent in by Thomas Shu:

Say No ECFA
自喪主權來矮化
先斬後奏亂綱法
==============
洗腦 ECFA
輕浮總統講憨話
MOU就冇佢法
==============
麽介辨論法
就像當年阿石伯
喊到當響全係假

What Wikipedia said about Haiku...

Dear all:

Here is the information from Wikipedia related to Hakka 3 Line Poem -
Per Mr. Lou's suggestion, we can use 5-7-7 format, instead of 5-7-5.
Encourage you to try it out...and get revision by others.
It is fun to practice our own Hakkanese.
==================================

Haiku

From Wikipedia, the free encyclopedia

Jump to: navigation, search

For other uses, see Haiku (disambiguation).

Contents [hide] 1 Kireji and kigo 2 Syllables or "on" in haiku 3 Examples 4 Origin and development 4.1 From renga to renku to haiku 4.2 Bashō and independent hokku 4.3 Time of Buson 4.4 Kobayashi Issa's humanistic approach 4.5 Shiki's revisions 4.6 Senryū 4.7 Haibun 4.8 Haiga 4.9 Kuhi 5 Haiku movement in the West 5.1 Blyth 5.2 Yasuda 5.3 Henderson 5.4 Contemporary English-language haiku 6 Worldwide 7 Internet 8 Famous writers 8.1 Pre-Shiki period 8.2 Shiki and later 9 See also 10 Notes 11 References 12 External links

Haiku (俳句, haikai verse^?) listen (help·info), plural haiku, is a form of Japanese poetry, consisting of 17 moras (or on), in three metrical phrases of 5, 7, and 5 moras respectively.^[1] Haiku typically contain a kigo, or seasonal reference, and a kireji or verbal caesura. In Japanese, haiku are traditionally printed in a single vertical line, while haiku in English usually appear in three lines, to parallel the three metrical phrases of Japanese haiku.^[2] Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century.

Get started...

Dear all:

Mr. CS Lou got this idea...and we believe it is a truly practical idea.
Our own language, if we don't use it, who will?

No poem, no imagination.
One poem, could be one painting, one picture, one song, one dance, one show, one movie....

The blog for Hakka3linePoem is launched:
http://www.hakka3linepoem.blogspot.com/

Thanks to Azen.
He has linked this blog in http://www.ihakka.ning.com/ for a special group -
http://ihakka.ning.com/group/3linepoet
(*By the way, Azen, it is a nice looking icon, very Hakka!)

Many of you are included in our email forum, because we believe that you care for the issue. With your help and reaching out, many many more Hakka can be aware of this culture event.

You can join as a member and then encourage others to join.
You might not ready to write, but you can enjoy reading others' poems over the blog.
When you are ready, just email in, we will post them for you.

We have shared the same idea to our Holo Taiwanese friends, they like the idea, too.
So, they are having their own blog to promote the concept.

Taiwanese language canbe used in depth, not only in oral conversation, this will create a huge impact in manyways.

All the best,
Thomas Shu 4/9/2010

an idea...

The idea is initiated by Mr. C S Lou.
Here is his blueprint of promoting this idea....
We will like to have your feedback.
==================

我對推行客家話三行詩的構想:

一) 緣起：
我學日本俳句已有十年，從一竅不通的程度開始，每月像玩word puzzle 樣，隨便七拼八湊，作出八首交卷給指導老師。我們隨便作的十五音的俳句作品，經老師修改 (日語叫ten saku 添削) 後，五日內發還給我們，隔月再把其中六首，發表在會員雜誌上。 如今，我有將近千首以上的俳句作品，其中也有上百首以上是被列為佳作。 我這個經驗 (其實關西有三人參加)，使我相信推行客家話三行詩，是有可能，而且可行性很大。 現在，要我們作五言七言絕句那麼樣的詩，要押韻，要平仄排列，是完全不可能，我們連很多漢字的客語發音都不懂，因此，我提倡的三行詩只是an alternative 而已。

二) 作法：
我們在初期階段，不妨把它當著一種文字遊戲好了，找幾個發起人，制定遊戲規則，例如作品多久交卷，交到那裡，請誰修改，或者可交大家互相檢討的方式修正。 我相信，在初期的trial and error的過程中，一定會碰到很多問題，其中的一些難題，我們可以向專家請教，甚至，將來三行詩發展成氣候時，可向客委會申請奧援。 當然，玩遊戲要先找幾個玩伴才可以開始。 其實，在學習過程中，我們可以發現很多問題，學到很多客家話的字音，也可以交到很多詩友，一年也可以舉辦一次吟遊，或結伴作團體吟詩比賽。

三) 三行詩的format：
我建議 五七七 (第一行五字，第二行七字，第三行七字)，比較好，限制字數的原因，是要濃縮詩意，用字少，可以留白多一點，餘留多一點想像的空間。一杯水，經過濾剩六分，再經蒸餾剩三分，那就是well
refined water。 作詩的過程也如此，濃縮、精煉、點到為止，留多一些想像的空間。我開始做haiku以後，對人間事物、對大自然的看法都改變，觀察變得更細膩、更關心、更有深度。

四) 日本的俳句，通常有所謂的 (季題)，作為造句的題目，例如，春夏秋冬，年中節日，等等，只要能顯示時間、場所等就可。我們在初期階段，可不必限制過嚴。

五) 其實，現在有很多白話新詩，也是詩。 我們只是想用客語作白話詩而已。不知道你們toastmaster班的成員，是否有作三行詩的興趣。我們可以用HAPA-NA 和台紅茶業文化館，共同發起推廣的方式， 試辦看看嗎?

六) 也許可請Josephine請教她的詩人姑姑，看看這種玩意兒，會不會見笑，是否值得我們推行。曾聽葉菊蘭說，客家話每年在5-8%的速度消失，如何挽救是大家應思考的問題。

再談。
CS Lou 20100409